SFF Stories Award Eligibility

Hi everyone!

It’s award nomination season in the science fiction/fantasy field, and I am thrilled that I have some eligible stories for 2018. I’d be honored if you’d take a read.


“The Kite Maker,” a science fiction short story (7,100 words) published in Tor.com.

After aliens arrive on earth, humans do the unthinkable out of fear. When an alien walks into a human kite maker’s store, coveting her kites, the human struggles with her guilt over her part in the alien massacres, while neo-Nazis draw a violent line between alien and human.

N.K. Jemisin said of it, “Such a powerful story.”

It can be found here: https://www.tor.com/2018/08/29/the-kite-maker-brenda-peynado/


“The Dreamers,” a fantasy/magical realism short story (6,000 words) published in The Southern Review.

In a world where people can stay awake for most of their lives and then sleep all their lives’ sleep at once, a high school girl must wake her boyfriend from his sleep coma in time for prom, though her traitorous ex-best-friend stands in her way, the town’s Dreamcatcher is out prowling, and if she’s not careful, she could succumb to a sleep coma as well.

It can be found on Project Muse or in the Nebula’s reading list. https://www.sfwa.org/forum/topic/13388-the-dreamers-brenda-peynado/ https://muse.jhu.edu/article/690478

“What We Lost,” a fantasy story  (1,600 words) published in The Sun.

When a mysterious leader gets elected, promising to make the country better, citizens’s magically start to lose part of their bodies.




2017 has been a year packed full of both struggles and successes.

A fellowship at the Vermont Studio Center gave me a month of time to write and read, plus a studio over-looking a frozen river. I got to meet some amazing artists and writers, and thanks to my time there,  I graduated from my PhD (and passed exams!) with the help of my wonderful mentors, Leah Stewart, Michael Griffith, Jennifer Glaser, and other wonderful peers and mentors at the University of Cincinnati.

I was offered a tenure track teaching job at the University of Central Florida. Micah and I moved to Orlando, Florida over the summer, and we are so glad to be back in the heat and where we first met. I have wonderful students and supportive colleagues. I will be teaching a craft class on fabulism, magical realism, and genre for the MFA students this spring.

In the last year, I’ve published stories and essays in Kenyon Review Online, The Writer’s ChronicleEcotone, Day OnePrairie SchoonerIndiana ReviewHunger Mountain, The Masters Review, Ninth Letter, and Pleiades. I’m so thrilled that Prairie Schooner published a chapter on my novel, called “The Shadow,” about a Puerto Rican soldier parachuting into the Dominican Republic during the American occupation in 1965. Day One published my surreal story about a group of Venezuelan anti-narco agents who get exposed to a radioactive source and develop superpowers, “The Radioactives” as a Kindle Single. Esteban, who can read minds, Hector, who grows giant arms, José, who grows multiple hearts, and Marco, who can multiply himself, must all journey to reclaim what is most precious to them. “Yaiza,” in the Kenyon Review Onlineis about a rivalry and frenemy-ship between two tennis-playing girls. “The Whitest Girl” in Ecotone, is about a group of Hispanic girls at an all-girls school encounter the whitest girl they’ve ever seen. The Indiana Review nominated “The Lion and the Beauty Queen,” a story about a family moving into a house haunted by a child beauty queen in the attic and a lion prowling the garden labyrinth, for a Pushcart Prize. In the same issue, they also ran my flash fiction, “Weathering,” a story about a couple staying together amidst a flood of divorces, as runner-up in their ½ K Prize. The Writer’s Chronicle ran my craft essay, “The Fabuleme: On Belief and the Reactivation of Disbelief in Fiction,” about how both literary fiction and “magical” fiction function on wonder and use the same techniques, and what we call elements of fiction that move beyond realism. Hunger Mountain published and nominated for a Pushcart Prize my story about a boy who is given a jacket that can make him into the man he wishes to be–at a price. “The Drownings,” in The Masters Review, is about a group of kids in a pool-ridden town where most of them drown before reaching adulthood and a new girl who has to understand death in this dangerous town where downing is normal. In “True Love Game,” published in Ninth Letter, two girls play a game about true love in a basement, surrounded by ghosts and their doomed desires. In “The Tool Factory,” published in Pleiades “Human Future Fiction” feature section, a girl gets fired from a factory where the labor eventually twists the worker’s hands into gnarled fists.

Thank you to all the editors, writers, teachers, and readers, VSC, and my agent, Michelle Brower, who made all this possible.


“The Stones of Sorrow Lake” in The Georgia Review

I haven’t update my website in a while, so I’ll just add some of the things I’ve been doing lately at once.

A short story of mine, “The Stones of Sorrow Lake” came out in the new Georgia Review, and it’s also up on their website.  It’s about a town of people who wear sorrow on their skin in the form of stones. You can read it here: http://garev.uga.edu/spring16/peynado.html

Thank you also to the Editors and Lindsay Tigue, who was kind enough to interview me about the story: http://garev.uga.edu/blog/peynadointerview.html

Recently, I’ve also had pieces come out in EPOCH, Michigan Quarterly Review, Daily Science Fiction, Shenandoah, and the Mid-American Review.  I also received the Dana Award in short fiction, and one of my flash stories will be included as a flashcard in issues of the Sycamore Review as winner of their flashcard contest.

The Michigan Quarterly Review story is perhaps the strangest thing I’ve ever written. Read on for plastic toy soldiers that invade a Caribbean island.

Daily Science Fiction published a strange, tiny story about the Apocalypse and blob aliens. You can read it here.

The EPOCH story was about a group of flying prodigals returning to their island home.  Here’s an excerpt:

“We jackknifed through clouds and dodged large birds. Our parents, those who were still alive, came out to greet us, eyes squinting against the sun and hands on their brows like visors. Some were expecting us. Others were surprised, terrified at the spectacle of millions of their prodigals blotting the sky with our skirts billowing, our shirts starched for the arrival, skidding to rough landings right in front of them. We touched down on the landing strips of our parents’ driveways, denting cars, squashing flowers, rattling windows….”

I’m lucky to be in the company of lots of wonderful writing in these issues, so be sure to pick up copies. Thanks to all the wonderful editors who let my stories grace their pages!


AWP Readings

If you’ll be at AWP and want some entertainment, I will be reading at two events.

The first: the Mid-American Review is reading from their latest issue on Friday from 8-11 at Gallery 13.  I’ll be reading my story about an ambulance stuck in the clouds above New York City. And there will be cake!


The second: Join us for a literary performance to remember at Boneshaker Books! Boneshakers: A Cambridge Writers Workshop Reading will feat. Bianca Stone, Alex Carrigan, Jonah Kruvant, Jessica Piazza, Anca Szilagyi, Micah Dean Hicks, Brenda Peynado, and more. We promise to light up the night!



Triquarterly has been the home of some of my favorite work, so I thought I’d link to some of it here.  It’s amazing that this topnotch journal moved online for free.

I first got to know this wonderful writer through Triquarterly with her heartbreaking scifi story in which the earth’s atoms start fusing: A Bad Year for Apples, by CJ Hauser.  Then I met her in person and she blushed madly while I told her how much I liked her work.

Chitra Bannerjee Divakaruni’s Shadow Work.  I love everything I’ve ever read by her.  Her stories are heartbreaking, centered around loss, and they have such depth of poetry to their lines.

Ben Ehnrenreich, The Dream within a Dream.  Strangely affecting surreal story about dreams a couple has together, then separately.

I just read these two poems by Marty McConnell in TriQuarterly that blew me away with their wonderful, funny, heartbreaking commentary on modern life and the emotions we try to communicate to others.  She has a great reading voice, too!  Here and HERE.

Nick Francis Potter

I just met fiction and comic writer Nick Francis Potter, who went to Brown’s innovative MFA program and is currently a PhD student at University of Missouri. We talked about his illustrating and Micah and I writing children’s stories together. It’s so exciting that there are people working in the intersection of various art forms even though we are so often cordoned off from each other. Check out a few of his comics at http://www.hobartpulp.com/web_features/3-comics or his website at http://nickfrancispotter.tumblr.com/page/4


Indiana Review Volume 35, Number 2

I’m reading the current Indiana Review. I happened upon it after staying in Cincinnati with Linwood Rumney, whose work I’m thrilled to have appear with mine in next week’s issue of Day One, and his wife Jessica Hahn, an amazing poetry-fiction duo I am grateful to have spent time with. On my way out the door with suitcases, Jessica gave me copies of the latest Indiana Review and Missouri Review. I also have a Cincinnati Review in my bag.

On the plane to Houston, I started with IR and am blown away. I’ve never read so many stories that thrilled me at once in a magazine. Out of the realist stories, Shannon Hefferman’s “Purple Plus,” Bess Winter’s “Bad” and DJ Thielke’s “Private Dark” all had endings that stayed with me long after the stories finished. Nick White’s uncanny story about a boy sketching teen siamese twins fascinates and glimmers with sorrow. Then the surreal and magical-real stories just blew me away. Daniel Hornsby’s “Giant Mechanical Unicorn, Piloted by Children” is such a beautiful, sad but hopeful dream about childhood. This one will stick with me as one way to write surrealism while still keeping a recognizable plot and such a core of emotion. Helena Bell’s “The Aliens Made of Glass” is about a nun in a pre-apocalyptic earth with aliens soon to land. The story rather prophetically asks, If God was in a box, would you look inside?

The other fiction in the issue was top notch. If you can pick up a copy or subscribe, you will be blown away.